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The Art of Acquiring:
A Portrait of Etta & Claribel Cone
Finally, a lovely, absorbing biography of the
neglected Cone sisters!
For
four and a half decades, Etta and Claribel Cone roamed artists'
studios and art galleries in Europe, building one of the largest,
most important art collections in the world. At one time,
these two independently wealthy Jewish women from Baltimore
received offers from virtually every prominent art museum
in the world, all anxious to house their hitherto private
assemblage of modern art. In 1949, they awarded all their
holdings to the Baltimore Museum of Art. In 2002, that collection
was valued at nearly $1 billion, making them two of the most
philanthropic art collectors of our age.
Yet, for complex reasons, the story of the Cone sisters has
never been fully or accurately told. Gertrude Stein suggested
in her writings that the mousy Etta and the regal Claribel
had little artistic sense of their own, buying only what she
and Leo Stein advised them to buy. For most of those 45 years,
though, the savvy Cone sisters knew exactly what they were
doing, and why. But they thought it undignified in life or
death to call much attention to themselves, always emphasizing
that the art, not its collecting, mattered most.
Mary Gabriel, an art-minded journalist and women's historian,
has, at long last, brought the little-known sisters to life,
and shone the spotlight on their remarkable achievements.
That these two upright, Victorian women led the way in purchasing
the scandalous, erotic art of Matisse, Picasso, and others,
is itself one of the most fascinating yet incongruous aspects
of their story. Etta and Claribel Cone supported the 20th
century's revolutionary artists from their impoverished beginnings--
when Henri Matisse, for example, was reviled by critics as
a "wild beast," and Pablo Picasso scratched out
a living in a hovel. By contributing to the livelihood of
avant-garde artists in whom they deeply believed, the sisters
helped coax out, then preserved some of the greatest art of
the modern era.
Though it intimately portrays two powerful, influential,
ahead-of-their-time women, The Art of Acquiring is more than
a tale of two sisters, more than an important addition to
art history, and more than a major contribution to the study
of women's history. Because it reproduces some of the more
famous and important art of Matisse, Picasso, Cézanne,
Dégas, and others, The Art of Acquiring enables readers
to practically step through the canvas and live in the shocking
paintings these two unsung sisters purchased, then gave to
the world-at-large.
ABOUT MARY GABRIEL
Ms.
Gabriel, currently based in London, works as a reporter and
editor for the world desk of Reuters News Service. Previously,
she served as executive editor of the award-winning Museum
& Arts Washington magazine, and prior to that edited and/or
reported for United Press International and the Baltimore
News-American newspaper.
Her first book, Notorious Victoria: The Life of Victoria
Woodhull, Uncensored, was a New York Times Notable Book in
1998.
A native of Minneapolis, and a longtime resident of Baltimore,
she holds a Diplome from the University of Paris at the Sorbonne,
a Bachelor's of Fine Arts from the Maryland Institute College
of Art, and a Master's Degree in Journalism from American
University. |